Experience Has Proved That There Is No

Without Form, Communication Stops... Without Form, You Have Everybody Burbling On To Themselves, Whenever And However, Things That No One Else Can Understand And - Rightly - No One Else Is Interested In.

I Pursue No Objectives, No Systems, No Tendency; I Have No Program, No Style, No Direction. I Have No Time For Specialized Concerns, Working Themes, Or Variations That Lead To Mastery. I Steer Clear Of Definitions. I Don’t Know What I Want. I Am Inconsistent, Non-committal, Passive; I Like The Indefinite, The Boundless; I Like Continual Uncertainty.

Grey. It Makes No Statement Whatever; It Evokes Neither Feelings Nor Associations: It Is Really Neither Visible Nor Invisible. Its Inconspicuousness Gives It The Capacity To Mediate, To Make Visible, In A Positively Illusionistic Way, Like A Photograph. It Has The Capacity That No Other Colour Has, To Make 'nothing' Visible.

In 1981, I Think, For The Kunsthalle In Düsseldorf. Before That I Designed A Mirror Room For Kasper König's Westkunst Show, But It Was Never Built. All That Exists Is The Design - Four Mirrors For One Room.

I Believe That The Quintessential Task Of Every Painter In Any Time Has Been To Concentrate On The Essential.