Every Time I Hear Sounds, I See

Transcendental Meditation Is Like A Car, A Vehicle That Allows You To Go Within. It's A Mental Technique. You're Given A Mantra - The Mantra That Maharishi Gives Is Very Specific, And You Start To Dive Into Subtler Levels Of Mind, Subtler Levels Of Intellect. You Transcend The Whole Show, Into Pure Bliss Consciousness. From Your First Meditation, You Say, "whoa!" It's A Unique Experience, But A Familiar Experience.

Intuition Is The Key To Everything, In Painting, Filmmaking, Business - Everything. I Think You Could Have An Intellectual Ability, But If You Can Sharpen Your Intuition, Which They Say Is Emotion And Intellect Joining Together, Then A Knowingness Occurs.

When You Get An Idea, So Many Things Come In That One Moment. You Could Write The Sound Of That Idea, Or The Sound Of The Room It's In. You Could Write The Clothes The Character Is Wearing, What They're Saying, How They Move, What They Look Like. Instead Of Making Up, You're Actually Catching An Idea, For A Story, Characters, Place, And Mood - All The Stuff That Comes. When You Put A Sound To Something And It's Wrong, It's So Obvious. When It's Right, The Whole Is Greater Than The Sum Of The Parts. That's A Magical Thing That Can Happen In Cinema.

Sex Was Like A World So Mysterious To Me, I Really Couldn't Believe There Was This Fantastic Texture To Life That I Was Getting To Do...it Has All These Different Levels, From Lust And Fearful, Violent Sex To The Real Spiritual Thing At The Other End. It's The Key To Some Fantastic Mystery Of Life.

Directors Who Have Inspired Me Include Billy Wilder, Federico Fellini, Lngmar Bergman, John Ford, Orson Welles, Werner Herzog, Stanley Kubrick, Alfred Hitchcock, Francis Ford Coppola And Ernst Lubitsch. In Art School, I Studied Painters Like Edward Hopper, Who Used Urban Motifs, Franz Kafka Is My Favorite Novelist. My Approach To Film Stems From My Art Background, As I Go Beyond The Story To The Sub-conscious Mood Created By Sound And Images.