'dreamsongs' Allows Me To Show The Scope

From Where I Sit, Battles Are Hard. I’ve Written My Share. Sometimes I Employ The Private’s Viewpoint, Very Up Close And Personal, Dropping The Reader Right Into The Middle Of The Carnage. That’s Vivid And Visceral, But Of Necessity Chaotic, And It Is Easy To Lose All Sense Of The Battle As A Whole. Sometimes I Go With The General’s Point Of View Instead, Looking Down From On High, Seeing Lines And Flanks And Reserves. That Gives A Great Sense Of The Tactics, Of How The Battle Is Won Or Lost, But Can Easily Slide Into Abstraction.

When We Speak Of The Morrow Nothing Is Ever Certain.

The Way My Books Are Structured, Everyone Was Together, Then They All Went Their Separate Ways And The Story Deltas Out Like That, And Now It’s Getting To The Point Where The Story Is Beginning To Delta Back In, And The Viewpoint Characters Are Occasionally Meeting Up With Each Other Now And Being In The Same Point At The Same Time, Which Gives Me A Lot More Flexibility For Killing People.

I Thought My Song Was Beginning That Day, But It Was Almost Done.

I Hate Outlines. I Have A Broad Sense Of Where The Story Is Going; I Know The End, I Know The End Of The Principal Characters, And I Know The Major Turning Points And Events From The Books, The Climaxes For Each Book, But I Don't Necessarily Know Each Twist And Turn Along The Way. That's Something I Discover In The Course Of Writing And That's What Makes Writing Enjoyable. I Think If I Outlined Comprehensively And Stuck To The Outline The Actual Writing Would Be Boring.