Chekhov Was As Important To Me As

We're Charlatans In A Way, We're Magic People. Part Of The Behind The Scenes Stuff Is To Loosen You Up, To Make You Feel That You Are Experiencing This. This Is My Style, I Did It In Looking For Richard, Too. And I Figure, If I Can Weave It Into The Actual Play And Get The Audience Interested, Like The Robes Going Up And Down, They'll Pay Attention Long Enough To Consume It.

You Never Open Your Mouth Until You Know What The Shot Is.

[oscar Wilde's Salome Screenplay] Is Not Autobiographical In A Sense Where You Go To My House And See My Kids And Stuff Like That, But That's Why I Guess It's Semi-autobiographical.

Great Directors Can Understand The Staging In Such A Way That Can Make A Scene Come Alive. Others Have A Certain Way Of Pacing The Scene.

When You Do These Things, You Sort Of Take The Journey. The Journey Is All About How I Can Interweave The Oscar Wilde Story, The Story Of Salome, The Play Itself And What It Is, What It Contains, And My Journey As An Actor, As A Director, As A Filmmaker, As A Person Struggling With Whatever I'm Struggling With - My Own Celebrity, My Own Life. This Is Semi-autobiographical In Terms Of My Commitment To This Kind Of Thing.