Blues Is Like The Roux In A

We All Teach From That Same Frame Of Reference. We're Like Neighborhood - The People Who Have Had The Opportunity Through This Music To Gain A Platform And Spread The Message Of This Music, Which Is Basically Love In A Form Of Communication That's Honest And Truthful.

When I Came To New York, To Brooklyn, I Met Alvin Ailey And Stanley Crouch And August Wilson. They Were Always Putting Things In A Philosophical Context. All The Great Jazz Musicians Did, Too. There Was Always A Sub-context To What They Were Saying About Music Even Though They Would Be Very Down Home And Earthy. So I Started To Develop, In Addition To My Power And Ability To Simply Hear, A Way To Place Myself In A Time.

New Orleans - The Real New Orleans - Is The Soul Of The Country.

I Worry More About The Marketing That's Taken Hold Since The 70s. The Jazz Era, The Swing Era, Those Were Huge. Entire Decades Were Named For Music. In The 1940s - After World War Ii - Changes In Taxation, Ballrooms Closing, People Moving To The Suburbs, And The Onset Of Target Marketing And The Confusion Of Commerce With Art Caused Some Things To Happen As A Result That Have Taken Us Away From Jazz And What Jazz Offers Us.

We Need More Math Classes, We Need More Science. It's The Art Of Math And The Art Of Science That Creates All The Innovation, And We Have A Tradition Of Great Arts, Great Music.