At The End Of True Love Is

If I Had Two Lives, In One Life I Could Invite Her To Stay At My Place, And In The Second Life I Could Kick Her Out. Then I Could Compare And See Which Had Been The Best Thing To Do. But We Only Live Once. Life's So Light. Like An Outline We Can't Ever Fill In Or Correct... Make Any Better. It's Frightening".

In Tereza’s Eyes, Books Were The Emblems Of A Secret Brotherhood. For She Had But A Single Weapon Against The World Of Crudity Surrounding Her: The Novels. She Had Read Any Number Of Them, From Fielding To Thomas Mann. They Not Only Offered The Possibility Of An Imaginary Escape From A Life She Found Unsatisfying; They Also Had A Meaning For Her As Physical Objects: She Loved To Walk Down The Street With A Book Under Her Arm. It Had The Same Significance For Her As An Elegant Cane From The Dandy A Century Ago. It Differentiated Her From Others.

The Brain Appears To Possess A Special Area Which We Might Call Poetic Memory And Which Records Everything That Charms Or Touches Us, That Makes Our Lives Beautiful ... Love Begins At The Point When A Woman Enters Her First Word Into Our Poetic Memory.

Laughter, On The Other Hand, " Petrarch Went On, "is An Explosion That Tears Us Away From The World And Throws Us Back Into Our Own Cold Solitude. Joking Is A Barrier Between Man And The World. Joking Is The Enemy Of Love And Poetry. That's Why I Tell You Yet Again, And You Want To Keep In Mind: Boccaccio Doesn't Understand Love. Love Can Never Be Laughable. Love Has Nothing In Common With Laughter.

The Basis Of Shame Is Not Some Personal Mistake Of Ours, But The Ignominy, The Humiliation We Feel That We Must Be What We Are Without Any Choice In The Matter, And That This Humiliation Is Seen By Everyone.