Artists Use Lies To Tell The Truth.

Judged By The Stark, Sure-footed Portrait In Hard Time, Brian Azzarello And Richard Corben Clearly Have John Constantine Down, Cold And To The Life. Azzarellos Grasp Of Pacing, Character And Situation Resonates Through Every Scene With A Black Crystal Clarity Thats Short Of Masterful, While Corben Contributes What Is, Perhaps, One Of The Most Darkly Expressive Pieces In A Long, Already-legendary Career.

I'm Remote From Most Technology To The Point That I'm Kind Of Amish.

There Are Two Worlds We Live In: A Material World, Bound By The Laws Of Physics, And The World Inside Our Mind, Which Is Just As Important.

Anarchy Wears Two Faces, Both Creator And Destroyer. Thus Destroyers Topple Empires; Make A Canvas Of Clean Rubble Where Creators Can Then Build A Better World. Rubble, Once Achieved Makes Further Ruins' Means Irrelevant. Away With Our Explosives, Then! Away With Our Destroyers! They Have No Place Within Our Better World. But Let Us Raise A Toast To All Our Bombers, All Our Bastards, Most Unlovely And Most Unforgivable, Let's Drink Their Health, Then Meet With Them No More.

It Seems That Every Movie Is A Remake Of Something That Was Better When It Was First Released In A Foreign Language, As A 1960s Tv Show, Or Even As A Comic Book. Now You’ve Got Theme Park Rides As The Source Material Of Movies. The Only Things Left Are Breakfast Cereal Mascots. In Our Lifetime, We Will See Johnny Depp Playing Captain Crunch.