And I Wonder If There Is Really

Your First Impulse Is To Share Good News, Your Second Is To Club Someone With It.

There Are All Sorts Of Theories And Ideas About What Constitutes A Good Opening Line. It's Tricky Thing, And Tough To Talk About Because I Don't Think Conceptually While I Work On A First Draft -- I Just Write. To Get Scientific About It Is A Little Like Trying To Catch Moonbeams In A Jar. But There's One Thing I'm Sure About. An Opening Line Should Invite The Reader To Begin The Story. It Should Say: Listen. Come In Here. You Want To Know About This.

I Believe These Stories Exist Because We Sometimes Need To Create Unreal Monsters And Bogies To Stand In For All The Things We Fear In Our Real Lives: The Parent Who Punches Instead Of Kissing, The Auto Accident That Takes A Loved One, The Cancer We One Day Discover Living In Our Own Bodies. If Such Terrible Occurrences Were Acts Of Darkness, They Might Actually Be Easier To Cope With. But Instead Of Being Dark, They Have Their Own Terrible Brilliance. . . And None Shine So Bright As The Acts Of Cruelty We Sometimes Perpetrate In Our Own Families.

I Like To Write Short Stories More Because I Never Met A Writer Who Wasn't Lazy. And A Short Story Is, By Its Very Definition, Short. It Is Something That Generally You Can Turn Out In A Week To Two Weeks Depending On How Well It Goes For You. But, At The Same Time, It Gives The Same Satisfaction Of Creating A Complete World.

Talent Is Never Static. It's Always Growing Or Dying.