All Art Is Subversive.

We Didn't Want To Sign The Painting Itself, That Would Have Interfered With The Composition. And Even Later, For That Reason Or For Another, I Sometimes Marked My Canvases On The Back. If You Don't See My Signature And The Date, Madam, It's Because The Frame Is Hiding It.

I Would Like To Manage To Prevent People From Ever Seeing How A Picture Of Mine Has Been Done. What Can It Possibly Matter? What I Want Is That The Only Thing Emanating From My Pictures Should Be Emotion.

I Don't Work From Nature, I Work Like Nature.

But When I Am Alone, I Do Not Have The Effrontery To Consider Myself An Artist At All, Not In The Grand Old Meaning Of The Word: Giotto, Titian, Rembrandt, Goya Were Great Painters. I Am Only A Public Clown-a Mountebank. I Have Understood My Time And Have Exploited The Imbecility, The Vanity, The Greed Of My Contemporaries. It Is A Bitter Confession, This Confession Of Mine, More Painful Than It May Seem. But At Least And At Last It Does Have The Merit Of Being Honest.

The Secret Of Many Of My Deformations - Which Many People Do Not Understand - Is That There Is An Interaction, An Intereffect Between The Lines In A Painting: One Line Attracts The Other And At The Point Of Maximum Attraction The Lines Curve In Toward The Attracting Point And Form Is Altered.