A Good Writer Gets Better Only By

The Subject Of Drama Is The Lie. At The End Of The Drama The Truth -- Which Has Been Overlooked, Disregarded, Scorned, And Denied -- Prevails. And That Is How We Know The Drama Is Done.

The Audience Perceives Only What The Actor Wants To Do To The Other Actor.

My Tendency As An Actor Was To Correct People, Was To Say, 'what If We Tried It This Way, What About If We Tried That Way?' That's Terrible Habit For An Actor, But That's A Good Habit For Director. So I Became A Director.

In Playwriting, You've Got To Be Able To Write Dialogue. And If You Write Enough Of It And Let It Flow Enough, You'll Probably Come Across Something That Will Give You A Key As To Structure. I Think The Process Of Writing A Play Is Working Back And Forth Between The Moment And The Whole. The Moment And The Whole, The Fluidity Of The Dialogue And The Necessity Of A Strict Construction. Letting One Predominate For A While And Coming Back And Fixing It So That Eventually What You Do, Like A Pastry Chef, Is Frost Your Mistakes, If You Can.

No One Enjoys Being Equal.